Three requirements had to be satisfied here before a single elevation was worth drawing. Clothes had to live outside the sleeping area rather than along one wall of it. There had to be a place to sit and get ready that was not inside the wardrobe. And the room had to stay usable for sleep in the middle of a Dhaka afternoon, on a western elevation with full height glazing.
The first of those decided the layout on its own, because it meant finding the depth for a walk in dressing space in a plan that had not been drawn with one. That depth came from the corridor and the adjoining bathroom lobby, neither of which is space anybody sits down in.
What the bedroom got back is a sleeping area with almost no storage in it, which is the difference between a bedroom and a suite, and a scheme that could then run grey and white with gold inlay without competing with a wall of doors.
A Wardrobe You Walk Into
It is rare for bedroom interior design in Dhaka to offer the depth for a dressing room, so when a plan turns out to have it we take it. The walk in is finished in fluted white with long gold handles and mirror strips set between the door runs, lit by a continuous cove rather than by spotlights. Cove lighting is the right answer in a wardrobe because it washes the full height of the hanging space evenly. A spotlight leaves the bottom half of a long garment in shadow, which is precisely where you are looking when you are choosing one.
Hanging heights are split, with full length on one side for saris and gowns and doubled shorter runs opposite. Drawer depths were set against what was going into them rather than against a standard, and the mirror strips let you check a hem inside the room instead of walking out to find a mirror.
Storage Still Needed Inside the Bedroom
Pulling the wardrobe out did not remove the need for daily storage, so a corner wall inside the bedroom carries fluted doors with marble insets and long gold handles. Full height handles rather than knobs were specified so each door reads as a vertical panel and the rhythm of the fluting continues across the hardware instead of being interrupted by it.
The marble insets come from the same stone as the dining table, which is how the joinery in this room stays related to the luxury dining room design in Gulshan 2 at the other end of the flat. Fluting here runs at the same rib pitch used in the walk in, and that repetition across a doorway is doing more work than any additional material could.
A Place to Sit and Get Ready
A dressing position outside the wardrobe changes a bedroom plan more than it sounds, because it wants wall length, a socket and a mirror that is not fighting the window. This room carries two of them. A grey upholstered feature wall carries twin sconces with a white dressing table beneath it, and a second dressing position with a gold sunburst mirror faces the fluted wardrobe wall directly.
Facing the mirror at the most finished elevation in the room was deliberate. A dressing mirror reflects whatever is behind you for as long as you sit at it, and a blank wall in that reflection makes a well finished room feel unresolved. The upholstered wall also does acoustic work, taking the edge off a room with tiled floors and a full height glazed wall.
A Room That Handles the Afternoon Sun
This bedroom takes hard western light from the middle of the afternoon, and that is the condition the finish choices had to survive. The headboard wall is grey fluted rather than white for that reason, where the front of the flat shown in the luxury living room design in Gulshan 2 could afford to stay white on softer northern light. Thin gold inlay strips run through the ribbing with lit display shelves alongside. In daylight the inlay disappears into the panel. At night it catches the shelf lighting and the wall reads as a different surface entirely.
Layered sheers hang across the window wall with a blackout lining behind them, so the room can be filtered by day and fully dark by afternoon without changing track. A green marble artwork and a gold sunburst piece complete the decoration, deliberately kept to a small count in a room where the panelling is already doing the work.
Fans That Actually Reach the Bed
Two ceiling fans sit in the plan for this room, and in Dhaka that is a requirement rather than a preference. The room is long, and one central fan in a long bedroom always leaves one end of the bed unserved, which is the complaint that arrives in the second week of April rather than at handover. Fan positions were set before the light layout was finalised, so the downlights work around the blade sweep instead of flickering through it.
What a Wall of Wardrobe Doors Would Have Cost
Done the ordinary way, this room would carry a full run of wardrobe doors on the wall opposite the bed and everything else would work around it. That elevation is the one you look at from the pillow every night, and a wardrobe wall cannot be made quiet. Handles catch the light, shutlines multiply across the width, and any panelling on the headboard side ends up competing with a second joinery wall three metres away. Taking the clothes out of the room is what leaves one decorated elevation and three calm ones, and no amount of finish selection buys that back once the doors are there.
Where a plan will allow a walk in wardrobe, taking it is one of the few changes that improves a bedroom permanently rather than decoratively, and it is worth hunting for in every large apartment. The 3,000 sq ft Gulshan 2 apartment project shows how much floor this suite borrowed and what it gained back in exchange. The modular kitchen design in Gulshan 2 draws on the same service corridor, so the two claims on that area are settled against each other rather than one at a time.
Other Gulshan flats where the plan turned out to hold a room like this are listed under our interior design service in Gulshan.
Wondering whether your plan hides a walk in wardrobe nobody has drawn yet? Call us at 01633-033033 or book a free consultation today.
